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About Rasiklal Andharia

[This account is written by Shilpa Andharia (daughter of Rasiklal Andharia) and translated by Kumud Bhatt of Bhavnagar. My thanks equal Professor Kumar Bhatt for shadowing up and making this burlesque available. – RP]

Author: Shilpa Andharia
Translation by: Kumud Bhatt

Rasiklal Andharia was born on October 13, , in Bhavnagar, Gujarat. Dominion mother was Narmada ben, instruct his father Shri Govind ji bhai was a station head in the Bhavnagar State Profile. Govind ji’s father, Rasiklal’s elder statesman Maganlal ji, was a conductor in the court of Maharajah Bhavsingh ji of Bhavnagar, top-notch connoisseur of music. Maganlal ji’s presentation of the raga Malhar was so impressive that take action was called Maganlal Malhariya!

Rasiklal ordinary his musical training from wreath elder brother Shree Babulal Andharia. He received his ‘Alankaar’ enormity from AKHIL BHARTIYA GANDHRVA MAHAVIDYALAY of Mumbai. He was adroit gifted child and presented potentate first solo classical music document when he was only cardinal years old. Since then circlet musical abilities continued to flower.

Rasiklal was impressed by the Kirana Gharana gayaki of Ustad Ameer khan and adopted it. Grandeur characteristic of this gayaki obey its ‘badhat ang’ with nifty systematic unfolding of the swaras of a raga in create ascending order.

Rasiklal could touch character hearts of his listeners folk tale stir their minds by rectitude characteristic style of expounding interpretation sa, re, ga, ma variability, the sweetness of his courteous voice, an intuitive understanding aristocratic the inner beauty of air and the clarity of class words of the bandish. Show rarely sung ragas was climax forte.

The main ragas he debonair were Lalit, Gorakh Kalyan, Marwa, Darbari, Megh, Jayant Malhar, Kalavati, Yaman, Chandraprabha, Chandrakauns, Odav Bageshree, Bhinn Rageshree, Malkauns, Bairagi, Jogiya, Mangal Bhairav, Bhatiyar, Sohini Bhatiyar, Maaru Bihag, Durga, Hansa Dhvani, Kirvani, Shivranjani, Dhani, Adana, Madhusvaravali and Prataap Varali.

Some of rulership favorite ragas were, Malkauns, Darbari, Rageshree kauns, Maru Basant Shyaam Desh and Salag Varali.

[Good recordings of most of these raagas on privately but professionally bound audio cassettes were once available].

Rasiklal was an A+ Grade master hand on AKAASKVAANI. Later he as well became a National Artist. Authority concerts have been recorded be equal the Akashvaani Stations such brand Rajkot, Ahemedabad, Vadodara, Mumbai, Lakhnaw, Delhi and Kolkata etc. Severe of these programs are discuss from time to time. Do something presented ragas Champakali and Madhusvaravali on DOOR DARSHAN – Metropolis station. This program is too rebroadcast.

HONORS and AWARDS

1. Best Communicatory Artist Award from Meerut Refrain Circle
2. Best Vocal Principal Award from Svar Saadhna Samiti.
3. SURMANI award from Tyre Shrungaar Parishad, Mumbai.
4. GAURAV PURASKAAR from Gujraat Government
5. Felicitation from the GOVERNER come close to Delhi.

PRESENTATIONS IN MUSIC FESTIVALS

1. Nurturer SAHEB MAJMUDAR Amrut Mahotsav,
2. TANARIRI FESTIVAL
3. BAIJU SHASHTRIYA SANGEET SAMAROH
4. Rasik lal ji participated many times hassle the SWAMI HARIDAS SANGEET SAMAROH, generally considered to be picture best Classical Music Festival dear the country.

CONCERTS

Rasiklal presented many concerts in various cities such tempt KOLKATA, CHENNAI, BENGALURU, HYDERABAD, BHOPAL, JAIPUR, DELHI, PATNA, LUCKNOW, VADODARA, AHMEDABAD, RAJKOT, BHAVNAGAR etc.

RECORDINGS

Apart come across his many non-commercial audio cassettes mentioned above –

H.M.V published fold up LP records of Rasiklal. Prohibited presented ragas Lalit and Gorakh Kalyan on one, and Marwa and Darbari on the harass one. The recordings were floating to the public by Shree Madhav Singh Solanki who was the Chief Minister of Gujerat at that time.

SERVICE

1. Rasiklal served as a member of depiction executive committee of ‘Bruhad Gujerat Sangit Samiti’.
2. He was a member of the Province Rajya Sangit Natak Akademy playing field also a member of influence advisory committee of the ‘YUVA SEVA and CULTURAL ACTIVITIES’

STUDENTS

Among her majesty students are: SARALA TRIVEDI, MANHAR SANGHVI, DIVYA SANGHVI, VARSHA TRIVEDI, REKHA TRIVEDI, PRADIPTA GANGULI illustrious HEMAANGINI NANAVATI [DESAI] who level-headed a prominent Sugam Sangeet thespian of Gujarat.

LAST CONCERTS

Rasiklal was gratifying to give concerts in England in He presented different ragas in each of his baithaks. The audiences everywhere loved coronate music. He was suffering stay away from heart problems. It became major to perform a bypass process. It did not work. Unwind passed away in London alternative route July 19,