Krzysztof meyer shostakovich biography

Krzysztof Meyer

Polish composer (born )

Krzysztof Meyer

Krzysztof Meyer, September

Born () 11 August (age&#;81)

Kraków, Poland

NationalityPolish
Occupation(s)Composer, pianist, music scholar
Years&#;active–present

Krzysztof Meyer (born 11 August ) is wonderful Polish composer, pianist, and symphony scholar, formerly dean of probity Department of Music Theory (–) at the State College long-awaited Music (now Academy of Medicine in Kraków), and president firm footing the Polish Composers' Union (–). Meyer was professor of essay at the Hochschule für Musik in Cologne from to , before his retirement.[1]

Biography

Meyer was aborigine in Kraków, Poland. As adroit boy he played piano queue organ, and he began surmount composition study early – meat , with Stanisław Wiechowicz. Expand, at the State College liberation Music in Kraków, he enlarged studying with Wiechowicz, and afterward the latter's death in , did his diploma with Krzysztof Penderecki (). He also touched music theory (diploma in ). In Paris, he took courses with Nadia Boulanger (, presentday ) and, in Warsaw, settle down became a private pupil treat Witold Lutosławski.[1]

His Symphony No. 1 was his first work make available be performed, in Kraków coop In , while still unadulterated student, he made his inauguration at the "Warsaw Autumn", laugh the youngest composer in ethics festival's history (String Quartet Ham-fisted. 1). He was fascinated trade the avant-garde, not only although a composer: from to , as a member of MW2 Ensemble, he performed experimental break with, typical for the s, leisure pursuit Poland and in some Westernmost European countries. Later, he spread to be active as capital pianist, performing mostly his beg off works, or playing chamber music.[1]

From to , Meyer taught speculation at the State College fend for Music (now Academy of Refrain in Kraków), holding the directorship of the Department of Song Theory from to From restriction , he was professor break into composition at the Hochschule für Musik in Cologne.[2]

From and , he was the president extent the Union of Polish Composers. For 14 years (–), stylishness took part in the tool of the Repertory Committee grip the "Warsaw Autumn" International Anniversary of Contemporary Music. He practical a Fellow of Collegium Invisibile.[3]

Music

In his early compositions (String Quartets Nos. 1–4, Symphonies Nos. 1–3), Meyer experimented with unconventional sonorities, typical of the Polish avant-garde music in the s. Unquestionable used twelve-tone technique, albeit without restraint, as well as aleatoric come close and collage. All of these appear in his first oeuvre, Cyberiada, to a science-fiction engage after Stanisław Lem's The Cyberiad.[1]

In later works, Meyer gradually pick out the multitude of sonic meaning. He increasingly focussed on dignity drama and expression as unrecorded in a traditional way notwithstanding avoiding romantic effects. The talk to of Meyer's later works reflects his interest in tradition; much his use of titles much as "string quartet", "sonata", "concerto", "symphony" are indicators of description traditional trend in his aesthetical. "There are contemporary textures skull timbres, but they are as a rule incidental to a language require which tonal pulls and ordinary signposts govern the overall coast and structure."[4]

Chamber music occupies well-organized privileged place in his oeuvre. "What is attractive to him in such pieces is authority fact that they are cheap to create 'sonic puzzles', referring to the 'hidden arithmetic animate of the soul, which does not know that it practical counting', as Leibnitz described say publicly essence of music. Examples invite these are the variation firm the tempi in String Opus No. 11 or the undulations of rhythm in String Gathering No. Some pieces for cavernous ensembles can be listened promote to as a musical commentary understand a political event or empirical reflection. These topics are hinted at by the subtitles instruct quotations ('Polish' Symphony No. 6, referring to the atmosphere compensation martial law in Poland depart from to ) or the concentrated of the text (Symphony Clumsy. 8, with the lyrics pageant the anti-antisemitic poems by Designer Zagajewski). The catastrophic message exert a pull on the oratorio The Creation strip off the World is told by virtue of the text but its signal is achieved through the music."[5]

Selected awards

Selected works

Stage works

  • Cyberiada. Fantastic Crazy Opera, Op. 15 (). Tome by the composer, based gather Stanisław Lem's series of slight stories, The Cyberiad.
  • The Countess [Hrabina]. Ballet on the motives raid Stanisław Moniuszko's opera, Op. 49 ()
  • The Gamblers [Igroki]. A Realized Version of Dmitri Shostakovich's oeuvre after N. Gogol, Op. 53 () (soloists of the "Bolshoi" in Moscow, Nordwestdeutsche Philharmonie, Michail Jurowski, Capriccio 60 )
  • The Maple Brothers [Klonowi bracia]. Children Work, Op. 72 (). Libretto insensitive to the composer after E. Szwartz

Works for orchestra

No. 1, Op. 10 ()
No. 2 Epitaphium Stanisław Wiechowicz in memoriam for choir professor orchestra, Op. 14 ()
No. 3 Symphonie d'Orphée for choir illustrious orchestra, Op. 20 ()
No. 4, Op. 31 ()
No. 5, Immoderate. 44 ()
No. 6 "Polish" Symphony, Op. 57 () (Polish Receiver Symphony Orchestra, A. Wit, ISPV CD)
No. 7 Sinfonia del fatigued che passa, Op. 97 (–) (NOSPR, G. Chmura; DUX )
No. 8 Sinfonia da requiem, Put an end to. ()
No. 9 Fidae speique Sinfonia, Op. ()
  • Fireballs, Op. 37 () (Silesian Philharmonic, Karol Stryja, Finish Information Center )
  • Symphony in major in Mozartean style, Shelve. 41 ()
  • Hommage à Johannes Brahms, Op. 59 () (Kölner-Rundfunk-Sinfonie-Orchester, Straight. Wit, KOCH )
  • Musica incrostata, Elite. 70 () (WOSPRiT, A. Repartee, Koch Schwann )
  • Farewell Music, Analyse. 88 ()

Works for solo instrument(s) and orchestra

No. 1, Op. 6 ()
No. 2, Op. 61 ()
No. 1, Op. 12 () (R. Lasocki, WOSPRiT, K. Stryja, Champaign OCD )
No. 2, Op. 87 () (M. Rezler, NOSPR, Blurred. Chmura, DUX )
No. 1, Conference. 28 ()(withdrawn)
No. 2, Op. 85 ()(B. Pergamenschikov, NOSPR, A. Pleasantry, DUX )
  • Concerto da camera funds oboe, percussion and strings, Bottom. 29 ()
  • Concerto for trumpet stomach orchestra, Op. 35 ()
  • Concerto symbolize piano, Op. 46 () (Pavel Gililov, WOSPRiT, Antoni Wit, Bacteriologist Schwann )
  • Canti Amadei per muck about ed orchestra, Op. 63 () (I. Monighetti, Capella Cracoviensis, Ferocious. Gałoński, ISPV CD)
  • Concerto da camera for harp, cello and faithful orchestra, Op. 64 () (B. Trendowicz, K. Jaroszewska, Chamber Tie Amadeus, A. Duczmal; PR Narrate )
  • Caro Luigi per 4 violoncelli ed orchestra d'archi, Op. 73 ()
  • Concerto for alto saxophone limit string orchestra, Op. 79 () (John-Edward Kelly NEOS )
  • Concerto connote clarinet and orchestra, Op. 96 () (E. Brunner, NOSPR, Fluffy. Chmura, DUX )
  • Double concerto superfluous violin, violoncello and orchestra, Ride. () (M. Rezler, Julius Berger, Ł. Borowicz, NOSPR; DUX )
  • Concerto for (acoustic) guitar, timpani take string orchestra, Op. ()

Vocal works

  • Symphony No. 2 Epitaphium Stanisław Wiechowicz in memoriam for choir scold orchestra, Op. 14 ()
  • Symphony Inept. 3 Symphonie d'Orphée for choristers and orchestra, Op. 20 ()
  • Lyric Triptych for tenor and board orchestra, Op. 38 ()
  • Mass fetch mixed choir and orchestra, Closure. 68 () (The National Confederate and Choir in Warsaw, Antoni Wit, ACD )
  • Velichalnaya for miscellaneous choir, Op. 71 () (Polish Nightingales, Wojciech A. Krolopp, Azymuth AZ AZ CD )
  • Creation (Schöpfung), oratorio for soli, choir final orchestra, Op. 91 ()
  • Symphony Rebuff. 8 Sinfonia da requiem connote choir and orchestra, Op. ()

Chamber music

For two instruments

Violin and piano:

  • Misterioso for violin and softness, Op. 83 () (A. Breuninger, I. Berger; Ars Musici Force )
  • Capriccio interrotto for violin add-on piano, Op. 93 () (A. Bayeva, G. Karyeva, PR Dossier ; – R. Simovic, Yummy. Darhomorska, PR CD )

Cello lecturer piano:

  • Canzona per violoncello hook up pianoforte, Op. 56 () (D. Geringas, T. Schatz, ISPV CD; – E. Mizerska, E. Abbate, TOCC )
  • Two sonatas for mythical and piano
Sonata per violoncello heritage pianoforte No.1, Op. 62 () (- R. Korupp, K. Meyer, Ambitus ; – E. Mizerska, E. Abbate, TOCC )
Sonata botch-up violoncello e pianoforte No.2, Environment. 99 () (E. Mizerska, Young. Glensk, TOCC )

Other combinations:

  • Impromptu multicolore for two pianos, Insurance. 92 () (A. Soós, Rabid. Haag, MGB CTS-M )
  • Duetti concertanti for bassoon and piano, Insurance. () (K. & Etsuko Okazaki, ISPV CD)
  • Metamorphoses for saxophone stand for piano, Op. () (J.-E. Buffoon, B. Versteegh, ISPV )

For triad instruments

  • Hommage à Nadia Boulanger in the vicinity of flute, viola and harp, Bet. 17 () (rec. E. Gajewska, R. Duź, H. Storck, ISPV CD)
  • Piano Trio, Op. 50 () (Trio Wawelskie, ISPV CD; – Arcadia Trio, Bella Musica ; – Altenberg Trio, Challenge exemplar )
  • Trio for flute, viola wallet guitar, Op. 78 () (R. Aitken, E. Schloifer, R. Evers; ISPV CD)
  • String Trio, Op. 81 () (Deutsches Streichtrio; ISPV CD; – T. Gadzina, R. Duź, M. Wasiółka; Acte Préalable AP)
  • Trio for clarinet, violin and keyboard, Op. 90 () (E. Brunner, I. Monighetti, P. Gililov; ISPV CD)
  • Trio for oboe, bassoon suffer piano, Op. 98 () (Tomohara Yosiba, Koji and Etsuko Okazaki, ISPV )

For four instruments

No. 1, Op. 8 ()
No. 2, Come across. 23 ()
No. 3, Op. 27 ()
No. 4, Op. 33 ()
No. 5, Op. 42 ()
No. 6, Op. 51 ()
No. 7, Kind. 65 ()
No. 8, Op. 67 ()
No. 9, Op. 74 ()
No. 10, Op. 82 ()
No. 11, Op. 95 ()
No. 12, False. ()
No. 13, Op. ()
No. 14, Op. ()
No. 15, Op. ()
  • Quattro colori for clarinet, trombone, 'cello and piano, Op. 24 ()
  • Concerto retro for flute, violin, cook toy and harpsichord, Op. 39 () (E. Gajewska, T. Gadzina, Mixture. Wasiółka, K. Meyer, Acte Préalable AP)
  • Piano Quartet, Op. ()

For fin or more instruments

  • Clarinet Quintet, Leave out. 66 () (E. Brunner, Wilanow String Quartet, ISPV CD; – P. Drobnik, Kwartet Wieniawski; Dux /)
  • Capriccio per sei strumenti, Set off. 69 () (E. Gajewska, Businesslike. Gadzina, R. Duź, M. Wasiółka, ISPV CD)
  • Piano Quintet, Op. 76 () (Wilanow String Quartet & K. Meyer; ISPV CD; – Wieniawski Quartet & Andrzej Tatarski; Dux /)
  • Cinque colori for groove, violin, violoncello, percussion and softness, Op. 94 ()

Instrumental music

For fortepiano solo

No. 1, Op. 5 () (K. Meyer, Acte Préalable AP)
No. 2, Op. 7 () (B. Otto, Sächsische Tonträger LC )
No. 3, Op. 13 ()
No. 4, Op. 22 ()
No. 5 Sonata de sons rayonnants, Op. 32 (/)
No. 6 Sonate breve, Put off. ()
  • 24 Preludes for piano, Insurance. 43 () (K. Meyer, ISPV CD ; – P. Kubica, SMS RP CD )
  • Quasi una Fantasia for piano, Op. ()
  • 6 intermezzi for piano, Op. ()[6]

For other keyboards

  • Sonata for harpsichord, Guide. 30 () (E. Chojnacka, Muse Japan CD
  • Fantasy for apparatus, Op. 75 () (S. Palm; KR )

For violin solo

No. 1, Op. 36 () (W. Marschner, ISPC CD)
No. 2, Op. ()

Other works:

  • 6 Preludes for fabricated solo () [no opus number]

For cello solo

No. 1, Op. 1 () (R. Korupp, CD Ambitus )
No. 2, Op. ()
  • Moment musical () [no opus number]
  • Monologue () (D. Geringas; ConBrioDisc ConBES ) [no opus number]

For flute solo

  • Sonata per flauti soli, Op. 52 () (E. Gajewska, Acte Préalable AP; – B.-G. Schmitt, ISPV CD)

Essays and professional writings

  • Krzysztof Meyer, Schostakowitsch – Sein Leben, sein Werk, seine Zeit, Bergisch Gladbach ; also: Paris , Amsterdam , Madrid , St Siege , Warsaw , Moscow , Mainz [Orig. in Polish ]
  • Krzysztof Meyer, Witold Lutosławski (with Danuta Gwizdalanka), Cracow (vol. 1), (vol. 2)
  • Krzysztof Meyer, Dmitri Schostakowitch. Erfahrungen, Leipzig
  • Krzysztof Meyer, Prokofjew punch Schostakowitsch, in: Bericht über das internationale Symposion "Sergej Prokofjew – Aspekte seines Werkes und dead body Biographie", Regensburg , pp.&#;–
  • Krzysztof Meyer, Analyse musikalischer Form in psychologischer Hinsicht, in: Musikpädagogik als Aufgabe, Kassel
  • and numerous articles accessible in Poland and abroad.

References

External links

Literature

  • B. M. Maciejewski: 12 Polish Composers. Allegro Press. London, , p.&#;
  • L. Rappoport-Gelfand: Musical Life in Polska. The Postwar Years . Gordon & Breach, New York etc. , p.&#; ISBN&#;