Naqsh layalpuri biography channel

Naqsh Lyallpuri

Jaswant Rai Sharma (24 Feb – 22 January ), conventionally known by his pen nameNaqsh Lyallpuri, was an Indian ghazal and Bollywood film lyricist. Recognized is best known for ethics songs "Rasm-e-Ulfat Ko Nibhayen" (Dil Ki Rahen, ), “Ulfat Mein Zamaane Ki” (Call Girl, ), "Tumhe Ho Na Ho" (Gharonda, ), Piya Tum Ho Sagar (Tumhare Liye ), "Yeh Mulaqaat Ek Bahana Hai " (Khandaan, ), "Pyar Ka Dard Hai" (Dard, ), and "Chitthiye Ni Dard Firaaq Vaaliye" (Henna, ).

Early life

Jaswant Rai Sharma was born in Lyallpur (now dubbed Faisalabad and in present-day Pakistan) on 24 February to precise Punjabi Brahmin family.^[1]^[2] His priest, a mechanical engineer, wanted Jaswant to be an engineer, besides. He disapproved of Jaswant's alliance for literature, saying that crystal-clear would never be able disperse earn a living through calligraphy stories and ditties. Sharma was only eight years old while in the manner tha his mother died of pox. His father remarried a combine of years later, something which the young Sharma resented.^[3]

In , the year-old Sharma moved make somebody's acquaintance Lahore looking for work champion took a job at great publishing house named Hero Publications. After the Partition of Bharat, the entire family migrated exchange Lucknow in India. In , Sharma moved to Bombay captain started working at The Ancient of India as a printer. Around this time, he united Kamlesh, a lady of coronate own community and similar race background, in a match frozen by their families in picture usual Indian way. The alliance was conventional and entirely kind. Lyallpuri credits his wife sort his "pillar of strength" who supported him in his unfortunate years. The couple had twosome sons, Bappan, Rajendra, and Suneet. His family members also adoptive "Lyallpuri" as their surname.^[4] Crown second son, Rajendra "Rajan" Lyallpuri, is a cinematographer.^[4]^[1]

Works

Sharma used act upon write ditties and small verse since a young age. Smack was a natural talent unwind had. After the partition only remaining India made the family perfectly destitute, and his job devaluation him to Mumbai, which was the hub of the Sanskrit film industry, Sharma decided reach see if he could appearance some money on the row by writing songs for flicks. He started writing stage plays and was introduced to personality Ram Mohan, who was type assistant to actor-director Jagdish Sethi. Mohan introduced Sharma to Sethi, who listened to his poesy and asked him to inscribe songs for his next film.^[4] At this point, Sharma took on the pen name "Naqsh" – meaning an impression, graceful mark or a print – and added "Lyallpuri" to take a turn, following the tradition of Sanskrit poets to associate with their birthplace.^[4]^[5]

Lyallpuri debuted as a album lyricist with the film Jaggu, writing the lyrics of "Agar Teri Aankhon Se Aankhein Mila Doon", rendered by Asha Bhosle and composed by Hansraj Bahl.^[2]^[1] He also penned one be advantageous to the most memorable Talat Mehmood hits from film "Diwali Ki raat", "zindagi kis mod par" with music director Snehal Bhatkar.

Until the s, Lyallpuri's drudgery did not meet with overmuch success. He worked first weightiness the Times of India lecture then in the postal bureau to earn his living.^[6] Meeting director Jaidev introduced him say you will television serials and asked him to write lyrics for representation Hindi television series Shrikant. Lyallpuri went on to write songs for about 50 TV serials along with nearly 40 Panjabi films.^[4]^[1]

Lyallpuri collaborated with various Screenland music directors, including Madan Mohan, Khayyam, Sapan Jagmohan, Jaidev, Naushad, and Ravindra Jain, and Panjabi music composers like Surinder Kohli, Hansraj Bahl, Ved Sethi, unacceptable Husnlal-Bhagatram.^[1] He had a culminate association with director B. Acclaim. Ishara from their first album, Chetna, in , which Lyallpuri's song "Main Toh Har Experimental Par Tujhko Doonga Sada" whole by Mukesh.^[4]

Lyallpuri's songs have antediluvian noted for being "hummable", allowing they did not make spruce major impact on the whole industry.^[5] He avoided unwarranted witticisms and kept the lyrics uninvolved, although he used Urdu fearful frequently.^[7] His command of Sanskrit made many doubt his Sanskrit ethnicity.^[1] In his earlier activity, he faced competition from Sahir Ludhianvi, Hasrat Jaipuri, and Shailendra and later from other Urdu-poets like Gulzar and Majrooh Sultanpuri, who were all well implanted in the Hindi film trade. Lyallpuri hence focused on Sanskrit B-grade films and Punjabi big screen. His song "Rasm-e-Ulfat Ko Nibhayen" for the film Dil Ki Rahen was sung by Lata Mangeshkar. Mangeshkar counts it sort her favourite Lyallpuri song however gives credit for its good to the music composed stomachturning Madan Mohan, based on raag Madhuvanti and the lyrics in the cards by Lyallpuri, rather than brew own singing.^[8]

Lyallpuri is best publicize for the song "Tumhe Ho Na Ho" from the husk Gharonda (), sung by Asian singer Runa Laila. The trade mark is often wrongly ascribed be selected for Gulzar, who wrote the all over the place songs in the film, ailing the song "Do Deewane Shahar Mein" in the same integument is misattributed to Lyallpuri.^[5] Character song "Yeh Mulaqaat Ek Bahana Hai" in the film Khandaan is noted for its unorthodox ghazal format.^[7] His "Pyar Ka Dard Hai" from the husk Dard has been lauded commandeer Kishore Kumar's soft singing reprove for using "everyday lyrics".^[9] Illegal also wrote the only Indian song "Chitthiye Ni Dard Firaaq Vaaliye" in the film Henna ().^[5]

""DK Bose" (Delhi Belly) isn't good poetry. It's a disgrace of the medium. Don't divulge me that's what the ample want because that's a effete argument. The truth is assemblage don't have a choice",^[1]
– Lyallpuri criticizing the use describe profanity in contemporary songs

Lyallpuri published two books: Teri Gali Ki Taref (On Your Street) is a collection of government non-film shayari and Angan Angan Barse Geet features his songs from films, television serials, reprove music albums.^[4]

Lyallpuri took a retreat from films in the callous, disliking the lyrical style catholic then, some using profanity don continued with television. He requited in the s penning angry speech for the films Taj Mahal: An Eternal Love Story () and Yatra (), collaborating plonk his earlier music directors Naushad and Khayyam, respectively.^[6] He was a founding member of influence Indian Performing Rights Society, which works for royalty rights look after music directors and lyricists.^[3]

Selective filmography

Death

Lyallpuri suffered from a hip become dry fracture in March and was hospitalized in October He grand mal on 22 January at distinction age of 88 at dominion residence in Andheri, Mumbai captain his funeral took place mistrust the Oshiwara crematorium.^[13]

References